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If you’ve got a ton of material, then you’ll probably want to build a library. You can import all your material into Studio One 5 or move from Pro Tools in one transfer. Once imported, you can use the Plug-In Browser to find and open up older plug-ins that you’ve authored or ones that are included with the program. Then, you can import or create up to 40 virtual instruments that can be individually configured in the first configuration view. You can also import audio files and use the program’s templates to create audio projects. Several of the virtual instruments can be used as effects, which you can control in the Performance view. You can also use virtual instruments as standalone virtual sounds.
Studio One 5 sports a new interface, and there are a few neat new features. For example, you can add a metric ruler to the program’s Color view. Its adjustable and its color can be changed to fit your visual taste. Click on the ruler, and youll see the standard ruler measures on the left side, with options to add and subtract points and time. You can view the same measures on your timeline, which is a very useful feature to see the exact value of a given measure.
In Studio One 5.5, the tempo and key signature of a song can be set by clicking on the Song Tree, Song Tempo and Song Key selection buttons. Clicks of the left mouse button are assigned to change between tempo entries, while clicks of the right mouse button are used for adjusting the key signature. Clicks of a mouse wheel can be used to edit notes in a keyboard mode, and modify the tempo or key signature of a song.
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Moreover, various Layers and the Multi-Track Mixer are easier to work with. Multi-track recording capabilities are also here, as are the Beamform, Smart Controls, and VST3 plug-ins are supported, along with three-band vocoding with an optional stereo plug-in. MIDI can be sent to and from other programs, and you can share user resources with other Studio One users.
Pro Tools users can import and export plug-ins and session data to and from DAWs such as Logic Pro, Ableton Live, Studio One, and many more, so you can import your mixes for a new song or MIDI/audio session. Audio is now rendered in the format you record it in with no conversion loss, and the ability to apply compression, EQ, or limiters to audio is now offered inside Pro Tools 11. Some Key Features that Pro Tools users will enjoy include grouping track strips together for collaborative editing, an easy-to-use automation feature that makes it super simple to insert automation and create custom automation routines, and more.
Although Versions 6, 7, and 8 could be chunky tools for some Pro Tools users, Version 9 was and still is lacking compared to the competition. It doesn’t support 64-bit and won’t cut it in today’s hardware-intensive world where memory is the cheapest and easiest component to add. Most people are now using multi-core machines with 16 GB of RAM or more, and for those users, 64-bit processing is a necessity. Pro Tools supports 32 and 64-bit processes and allows greater control of resources, which is important to users of powerful Macs. This version of Studio One probably will support 64-bit hardware, since that’s the direction Apple has taken its Mac software, but it’s highly doubtful that they will make the leap for Studio One due to its historic cash cow status. If you are looking for a deep integrated Audio UnPlugged podcasting solution, there’s no replacement. Studio One’s strong and flexible cross-platform compatibility makes it your first choice. While there’s a lot to like about Studio One, it’s still a far cry from Pro Tools in terms of audio processing, and the Pro Tools ecosystem is likely to remain the platform for the foreseeable future.
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In May, PreSonus made Studio One universal for Mac OS and Windows, and that’s of course a welcome change. The downside is the program’s lack of connectivity features like AirDrop or sharing audio directly from tracks, which makes it an easy target for piracy, but PreSonus’ new partnership with SoundCloud should help. Then, some of Studio One’s shortcomings are a bit confusing, but not a deal-breaker: For example, a new “synthesizer” only offers a mix of functions from two instruments (Binson, Multiface, and Korg) in a single interface, which seem like they should be separate. In addition, the 4-by-4 instrument grids don’t really make enough room to display both notes and automation; you’ll have to work around this.
None of these has a big enough effect on my decision. Studio One still offers a comprehensive feature set; and its brilliant interface makes it easy to navigate. Most of all, its feature set should be enough for anyone to start producing. I’d jump out of bed for it.
User Joshua Johnson comments on YouTube: “I do most of my mixing at home and I’d far rather go with a $60 program than a $1,500 program,” and another writes: “I’m a school teacher. A lot of my digital recording and mixing is done with students. It’s a good 2 grand for a student. For the classroom for one person, it’s a huge bargain.” “ Studio One 5 Professional is the world’s most flexible, transparent and intuitive professional mixing software, giving you the tools to quickly and easily mix, record and master audio professionally, and playback performances or podcasts in a professional manner.
“Combining the power of multiple timecode and DAW features, intuitive track views and an all-new timeline view, Studio One 5 Pro makes the most of ProTools, Logic Pro, Sonar and ATC and is now the fastest-growing professional DAW on the market. The world-class virtual console and automated DAW workflow engine allows you to unleash your creativity with new professional mixing tools. Professional level effects and plug-in integration make a huge impact on any mix.
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- Convert multiple formats at once with Studio One Professionals powerful Digital Release (D&R) feature. Available in the Export Processing window, the D&R feature lets you export one format at a time, but they’re all exported at once so you don’t have to export them one by one. You can also choose to export multiple formats together, so you can get an AIF, WAV, MP3, AIFF, and MP4 file at the same time!
- Loudness Ramp Presets for selected streaming services let you set target values for loudness and true peak. You can choose from presets for iTunes, Spotify, and more.
- Redesigned panel for easy tagging with new Touch Tag panel, more file types are supported for tagging, and a dither setting for importing for conversion even when tagging is disabled.
- New Audio Streaming Service presets for Helix, LTO, Qobuz, Transmit, YouTube, and more.
- Target peak, target loudness, and dither settings let you control sound quality and levels of detail during export.
PreSonus Studio One 5 Professional 184.108.40.206528 System Requirements
- Windows 7, 8.1 or 10.
- 1 GB RAM.
- 1.5 GB available hard disk space.
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